Now that we've covered the not-so-great adaptations of Jane Austen's classic novels, it's time to move on the the merely okay! Ummm ... yay?
Whether it's altered characters, terrible kisses, or unfortunate placement of manholes, each of these adapatations had something about them that was just a little off. They aren't the worst, but they definitely aren't the best. Here's why.
20) MANSFIELD PARK
Directed by Iain B. MacDonald
Billie Piper's performance is such an odd take on Fanny. She never quite meshes with the historical setting, and the hair and costume choices don't help (why does she keep wearing her hair down?!?!). Though the 1999 adaptation, which we'll get to later, makes serious departures from the book, those alterations at least feel intentional and carefully thought out. The changes to the characters here, particularly in making Fanny lively and playful, just don't make sense. Plot points are also rushed or skipped over entirely. While MANSFIELD PARK is certainly Austen's most serious and difficult novel, this adaptation feels frothy and frivolous.
To be honest, I probably should have put this on the "Not So Good" list, but I temporarily forgot it existed and have since had to renumber everything in that post. Whoops.
19) KANDUKONDAIN KANDUKONDAIN (I HAVE FOUND IT)
Directed by Rajiv Menon
This Tamil film, the first Indian adaptation of an Austen novel (correct me if I’m wrong), is a movie I wish I liked. The tone is uneven, with a jarring mix of war scenes and music video-style montages of dance and song. And then there’s the unintentionally hilarious fact that (spoiler!) instead of falling ill near the end of the story, the Marianne character instead falls into a manhole. Nevertheless, the songs are fun, Aishwarya Rai is lovely as ever, and it’s the film that eventually led to BRIDE AND PREJUDICE, so I can’t complain too much.
18) PRIDE AND PREJUDICE: A LATTER-DAY COMEDY
Directed by Andrew Black
AKA “the Mormon one.” This movie isn’t quite good enough to stand on its own as a film or an Austen adaptation, but if you’ve ever experienced an LDS singles ward, it resonates. The transition of an early 19th century England to early 21st century Provo is surprisingly smooth, given the shared obsession with early marriage. It’s mildly entertaining in a slapstick sort of way, and I’ll never stop thinking the scene with heartbroken Lizzie and Jane in the grocery store is funny: “Triple choc-choc-choc-chocolate chunk? Or Uncle Bubba’s Big Belly Batter Brickle?”
17) BRIDGET JONES’S DIARY
Directed by Sharon Maguire
Is it fair to call this an Austen adaptation when it’s already the adaptation of another book? I’m not sure, and I struggled with its placement since it’s so popular but not a personal favorite. It’s funny and satirical and very British, and it makes some clever nods to PRIDE AND PREJUDICE (including the casting of Colin Firth as Mark Darcy). I think my main hang-up with this one is Bridget as the main character. Where Elizabeth Bennet was clever, charming, and witty, Bridget is a lovable hot mess. It’s easier for me to like her and the film if I separate it from Pride and Prejudice altogether.
I know that fidelity is a nebulous, unattainable goal, or whatever, but don’t mess with my favorite characters (I’m looking at you, every LITTLE WOMEN adaptation I've ever seen).
Directed by Adrian Shergold
This movie would have been much, much higher up the list but for one thing: MINUS ALL THE POINTS FOR THE WORST KISS IN CINEMATIC HISTORY. Anne’s out of breath from running through the streets of Bath, and she’s left with her mouth gaping open like fish while Wentworth waits an absurdly long time to bend down and meet her kiss. *shudders*
I need to watch the final scene from NORTH AND SOUTH as a palate cleanser after even thinking about it.
15) PRIDE AND PREJUDICE
Directed by Robert Z. Leonard
If you’re obsessed with fidelity, this is not the adaptation for you, but as a stand-alone film and piece of cinematic history, it’s charming. Released in 1940, producers worried that the film would make our British allies seem stuffy and prejudiced, so certain characters (*cough* Catherine de Bourgh *cough*) were significantly altered. The time period was also moved forward to capitalize on the popularity of GONE WITH THE WIND in its flamboyant costume design.
So, the storyline is a far cry from Austen’s original, but Lawrence Olivier was destined, both in appearance and manner, to play Fitzwilliam Darcy. In fact, I think he may actually be Darcy. Can a fictional character be reincarnated as an iconic movie star?
14) EMMA APPROVED
Directed by Bernie Su
Bernie Su’s creative follow-up to THE LIZZIE BENNET DIARIES is unfortunately not quite as good, though I still enjoyed watching it. The production quality is better (this is a very pretty adaptation) but the setup feels forced. Where Lizzie was a vlogger, Emma is simply recording videos for posterity, and it stretches credibility a little too much. The storytelling isn't as clever and insightful as THE LIZZIE BENNET DIARIES and the characters felt less real, but the series grew on me over time.
Why? The chemistry between Alex Knightley and Emma is a major redeeming quality. The rest of the plot struggles initially, but the sexual tension is A+.